“Don’t stop shooting!”, One Cut of the Dead is the story of a low-budget filmmaker amidst a hectic zombie production when a real zombie wreaks havoc on the cast and crew. With a perfectionist, psychotic director filming a once in a lifetime scenario and a steadily growing body count, two amateur actors must fight to survive.
Edgar Wright’s Baby Driver (2017) was my film of the year when it came out. After multiple viewings, and writing an essay on its use of soundtrack, this action-packed thrill ride is a spectacle to watch. Familiar with his work on the “Cornetto Trilogy” (Shaun of the Dead, Hot Fuzz & The World’s End) and cult comic adaptation Scott Pilgrim vs. The World, Wright is recognisable for his use of rapid editing, breakneck pacing and visually vibrant colour pallete.
With a plethora of videos online discussing the use of editing, costume and cinematography of the film, Baby Driver has become one of the most talked about movies of the last few years. Let’s find out why.
Chillingly surreal and visibly tinged with the experiences of its director, Get Out (2017) displays the modern day America in a mind-bending Horror format. Whether it to be considered an exaggerated form of the location or a gruelling commentary through the eyes of an African American perspective, to call the world “fantasy” is an insult. Get Out is one of these movies that is able to articulate its social commentary effectively without compromising the entertainment factor for a general audience. As a white eighteen year old from England, there’s only so much relatability I can confidently describe. I’d be lying if I said this film’s setting felt completely disconnected from the world we live in, but I understand that it’s not my place to delve into such a controversial topic without the experience needed to fully comprehend it. That being said, this movie was intriguing nonetheless and lead me to spend many hours analysing all of the MICRO elements hidden away. I’m excited to discuss what I found.